Read The Land Of Curving Water: A Mythological Memoir

I have decided to post the book I have been working on for the past eight years or so on the web. It is called The Land Of Curving Water: A Mythological Memoir. The book deals with my experiences in Waipi'o Valley, on the island of Hawaii. I have had enthusiastic responses from a few agents, but no one would take it, saying it is not commercial enough. As you can see from the title, I have invented my own genre. The book is mythological in the sense that it deals with the making and mythologizing of the self. It also has a few Hawaiian myths woven into it that parallel my story. I thought about self-publishing it, but don't have the money right now. I thought posting it on my blog would be a good way to let it go, enabling me to move onto new creative endeavours. To read the book, click here. This will lead you to the book, hosted by my friend John at www.blockislandfactor.com. Thanks John! Thanks to all who have been a part of my journey as I wrote this book.

Thursday, Nov. 4 -- I made an important discovery today I want to add to my words above. I realized that a part of me was hoping I would find a "real" publisher for my book by posting it on the internet. Real, as in the sense that they would pay me for my work. The shift in my thinking which occured today can be attributed to someone telling me that The Land Of Curving Water must have been a real labor of love for me to work on it for 8 years. I replied, it was not a labor of love, rather a labor of learning to love my self. For the past few years that I've been trying to get the book published for money I've been telling myself it doesn't get accepted because it's too non-traditional, ahead of its time, not mainstream, painting myself as a victim of the publishing industry like so many other misunderstood and unappreciated artists before me. Now if there is one thingI've learned in the past four years it's thatI am not a victim of anything--I create the situations I need in order to fulfill my soul's needs. Ironically, that is the major theme of The Land Of Curving Water. So what does my soul need to learn from not getting published? In my old way of thinking I would say my soul needed to go on no matter what happened, to learn to be strong, to find joy within and not rely on approval from others. However, I have been learning about reframing lately. As we move through this energetic shift on earth, our old ideas and concepts based on lack are falling away. We have lived in a world that defines existence as something based on suffering. Everything I am being taught, and directly experiencing, tells me that this is no longer the case. Human existence will be based on the joy of creation from now on. The Land Of Curving Water is a book about suffering. I saw today that the reason I was guided to post the book on the web was because I was meant to give it away. Who would want to make a profit from suffering? As I give my suffering away, I allow you to let yours go as well. Yesterday I watched two golden eagles soar on the wind. This morning a young bald eagle hovered twenty feet above my head. Eagles balance water and fire. The island of Hawaii is being born as I write these words--molten lava pouring out of the heart of the earth, taking solid form as it encounters the sea. We can live in balance. We can give away our pain. Aloha means to give without expectation of receiving, but I suspect the more we give the more we'll receive. I was given the gift of eagles at my window, the sun radiant on their golden wings.

Jen

Soul Age, Part Two

I would like to point out that soul ages should not be rated hierarchically, as we are accustomed to doing with age. It is tempting to claim spiritual superiority if one identifies with the mature soul category--but looking down on a baby soul who needs dogma in order to function will not enable one to move into becoming an old soul. I think I forgot to mention that the goal of all souls in an earth incarnation is to experience unconditional love for all of humanity. As a mature soul who often feels belittled by adult souls, I am tempted into thinking myself superior--but know that this will only hurt me in the end. As Rumi said, "I ignore anything which insults my soul."

With Dignity And Grace

I wrote this poem about my friend Padme, who I met last winter at Earth Activist Training. Padme is a very beautiful spirit who freely gives of herself...she gave the best hugs! Right now she is in Algiers, Louisiana, across the river from New Orleans, working with the Common Ground Collective to help victims of Hurricane Katrina help themselves. She and the others in teh colective are helping community members self-organize to provide for their needs--since the government has failed to meet them. This is an example of the permaculture principle "the problem is the solution" in action. The failure of the government to compassionately meet the needs of the people of New Orleans is giving people the opportunity to create a system of self-governance that reflects their needs and their beliefs, to take charge of their lives and to regain dignity, instead of what the U.S. government wants to give them in the name of charity. Padme is in charge of counselling relief workers and people just coming back to their homes for the first time. She is of course giving lots of hugs! I send these words out into space hoping they nurture her. Thank you , Padme.

In The Green Fields Of Iowa, Padme Crowe Weeps

In a white clapboard house
down a dirt road that used to be a stream,
Padme Crowe weeps.
Sparrows twitter at the window for sunflower seeds.
She sprinkles them on the sill knowing
they’ve been poisoned by cropdusters
who bomb the fields surrounding the house everyday.
She’s afraid to breathe,
but someone must sing to the green corn
rising out of the furrows,
plowed by steel teeth so fierce
no stone can chip or crack them.
It’s not your fault, she sings.
It’s not your fault poison runs through our veins.
She tilts her head back and reaches with her tongue for the rain.
Just one drop is all she needs.
Look at that crazy girl, the farmers say.
She’s in our way.
Even the crows have deserted the fields,
scattered like buckshot,
headed toward a stand of trees
rumored to be holding out in the next county.
Padme’s voice soars above the bombs, the spray.
She takes a deep breath and lets her faith out,
the hymn in the seed.
The crows fall silent and drop back to earth,
watching the bugs flee the corn,
running from the conflagration
like the Vietnamese girl in the famous photo
from Life magazine, her young body aflame.
Flame is the enemy of innocence
as well as its revealer. There may be nothing
more brutal than to be a witness to pain.
There may be nothing more necessary.
The bugs never make it to the road
where they might have had a chance
to be caught up by a wind that would carry them
to a planet in another galaxy
that has not yet been pillaged and raped.
The crows don’t close their eyes.
Neither does Padme.
Together they open their mouths
and release the last drop of rain.
OM MANI PADME HUM.
OM MANI PADME HUM.
OM MANI PADME HUM.
If you lean in close to these words
you’ll see the black sheen of their feathers.
A blank reflection.
Everything.
See the lotus blooming in mud.
See the black diamond in the center of its petals.
See all your delusions be carried away
by a bright gold beak.
See the dignity of men as they go about
the day’s killing.
See the beauty of each swelling kernel.
Harvest the truth that is budding within you.
Their is nothing but this song that won’t end
when my voice whithers away.

Blessed Be

Blessed Be

On a day when breathing was sweet as wild strawberries,
when air soothed my lungs like a cool drink from the spring
pouring out of the iron pipe to nurture watercress and jewelweed
rejoicing at the edge of the pond where I found a box turtle once
who I picked up and took home to live with my family for a week,
a pond ringed by cattails who filter out the toxic waste that casts a blight
on my hope that one day the child who wants to be born through me
will walk without fear of contamination by pesticides, bombs and radio
waves, at this pond where ducks nest in the tussocks, where I’ve heard
frogs sing, where once I ate the sweetest blackberry I’ve ever tasted
in October, long after the rest of the berries had dried up, been baked
in a cobbler, or plucked by a bright-eyed bird’s beak, god finally spoke to me.
I’d been expecting to find the red feather for weeks since the cardinal
flew into my heart the afternoon I asked for help to dissolve the doors
locked tight in my brain. I knew about hawks and owls, birds whose
symbology had me soaring high above the earth, or delving deep
into my shadows. The red feather didn’t say anything to me when I
asked it to speak, so I put my field guide away and rode my bike
like a horse until I could move across the surface of the earth like
I was being chased by a wall of fire, my heart a panicked rabbit
that knew it wasn’t fleet enough to escape incineration. I looked to the sky
to save me, praying for rain, but all I saw were stars, sometimes falling,
but still balls of swirling flame raining sparks that set my hair ablaze,
hissing like a den of venomous snakes, or relentless waves that wouldn’t
let time stop for a moment to breathe, charging across the universe,
a herd of horses there was no way I could break.
I surrendered before they could trample me.
When the numbness finally arrives it’s a relief after the shock
of the sting, a cold ice cube on skin that just wants the pain to go away,
forgetting that life can’t sprout from ground that’s been frozen unless the sun
arrives in spring to thaw the layers we can’t see, and that it’s possible to turn
one’s face away so far from the sun that the ice reaches bedrock,
where no seeds can sprout to feed the soul, who’s starving.
I didn’t know I had left her behind in that valley were waterfalls blossomed
after heavy rain. I thought she had walked out with me and taken her seat
on the plane that flew back across the Pacific Ocean to the desert where I
started walking toward this moment, following a trail of boulders,
then pebbles, and finally grains of sand, until they ran out and I reached
through the hourglass and took my heart in my hands, when I held my
broken self to my heart and soothed her aches as tenderly as the shadows
the boughs of a weeping willow make on the green grass embroidered with
dandelions and clover, where a rabbit nibbles in peace, letting dogs and cats and
women charge by on bikes, knowing it has nothing to fear from the oncoming storm,
what appears to be a squall of unquenchable emotion, but is really just
a wheel doing what comes naturally, guided by gentle hands who mold the rising clay
into righteous shapes, beauty revealed as each turning point is embraced.
I wept with my abandoned self and she forgave me for leaving her.
I forgave her for making me want to forget in the first place.
We dissolved into each other in waves that I now knew weren’t
relentless, but the echo of eternity giving us as many chances as
we need to reach down and pick up the red feather dropped by the
cardinal as it fed on the suet ball coated with sunflower seeds
hung by a kind-hearted woman from the branch of the pine tree
she can see from her bay window when the butterfly bush isn’t
blooming as riotously as it was today when I rode my bike to water
her garden where pink cosmos currently reign, taking their share
of the sun in full knowledge they will let their petals drop to the ground
when it’s time to release, knowing all must change, and even more,
that all should change, the seasons of the heart as explosive as
wild strawberries, the sweet flame I expected to be unbearable,
until I accepted its embrace.

Soul Age

I learned a fascinating way to determine soul age recently and have been mentally applying it to people in my life. I believe it is from the channeled entity known as Michael, a comglomeration of a 1,000 or so souls. There are books from Michael if you want to read more.

baby souls are concerned with issues of survival

infant souls need dogma in order to survive

adult souls are concerned with achievement, both material and immaterial

mature souls are concerned with relationships and have a lot of emotional drama

old souls see things from the broadest perspective possible and are less interested in playing the material game

I would catergorize myself as being on the brink between mature and old. I have tons of emotional drama, but am aware of it when I get caught up in it, and am generally able these days to get out of it be identifying what the drama is trying to teach me.

The world today seems to be controlled by adult souls. I thought it was kind of funny that the adult souls often look down on the mature souls, who since they are so caught up in their emotional dramas, can't get it together enough to achieve much of anything! Here on Block Island, the town is controlled by adult souls, but there are many mature souls who have been blown here like migrating birds.

I have met very few old souls in my life so far. I think one of them is my teacher Maria. The Dalai Lama is another one, but a less obvious is my brother Steven. He and I share Hawk medicine. Hawk is the messenger bird who sees the earth from a broad perspective. Steven does not often get caught up in emotional drama, but he does not judge those who do. So thanks for being such a great brother, Lightnin'!

For those of you who struggle with emotional drama, remember you can call upon the power of the hawk at any time to lift you above the muck. Emotions are classes in earth school. Now that I have managed to fly a little above my current emotional drama, I can see whay my latest emotional drama is trying to tell me: I am still vulnerable to having someone come in and totally take over my life. In other words, I need to work on my boundaries. This doesn't mean there is something wrong with me. There is nothing wrong with being open-hearted, but somehwere along the way I developed a need for love that is so great that I am willing to surrender my whole identity or order to have another person in my life. This is also called co-dependency. I recommend the book Co-Dependendt No More, if this sounds familiar to you. However, just as I no longer identify with the word alcoholic, I can do the same with this other label. My point is, that if you keep telling yourself over and over again that there is something wrong with yourself, then you will never shift onto another spoke of the wheel of life.

Offering on A Rainy October Night

You Can Learn From A Tree How To Exist In Ecstasy

My friends are so in love they don’t hear
the tin can rattle of our dinner conversation.
Even though I know I should look away
as they stand up from the table to embrace,
I can’t.
I balance on the edge of this island I’ve chosen
as the bride and groom drive away.
They have no shame, but I do, looking at the
bottles of wine on the table and thinking
maybe just one drink would be OK.
In addition to wine, there is starlight.
The table is laden with grilled chicken
and charred zucchini, left on too long
because the cook was so excited to dance,
he forgot we expected to eat.
I want to say the food was divine
as my friends merged with the dune grass
shivering with the first touch of the breeze off the ocean,
and it may have been,
but all I tasted was the ashes as it blew away,
taking my parched tongue with it,
leaving me with no way to speak the words
I was too afraid to invite to the table.
Words that might have set my heart free
from the lead sinker dragging it into the deep
where no one could see its wounds
except the bottom-dwellers
who had somehow found out a way
to generate their own light.
A tree makes food from light,
but I’m not a tree, I’m a ghost
haunted by the waves caressing
the beach on this sultry August night
where I wish someone would randomly appear
to seduce me, so I wouldn’t have to
honor the call of the ocean
who is demanding I get up from the table
and humble myself to its need.
I knew this day would come soon
because I’ve listened to the waves for so long
I don’t hear them.
Birds twitter in the beach roses to the beat of the moon
as it ripples on the break.
I try to look away, but I’m drawn by instinct
like horseshoe crabs on the one full moon tide in May
when they can breed.
My friends are fused now like the roots of two trees
who have grown together in a forest that has always
met all of their needs.
They have no fear they’ll be torn from the earth by a hurricane.
Their bodies are broken levees.
They drift downstream, calling out for me to join them,
but I cling to the rooftop, still believing some unearthly force
is going to drop down from the stars to rescue me.
As I watch them drift away, I realize what the ocean wants from me.
Its voice pours through the hole in my heart which blossoms
as the scabs that protect it are torn away.
Do you remember how the breeze ran its fingers
up and down the curve of your waist?
Do you remember the way sunlight tastes,
the salt on his skin you scraped clean like a cat
until all your edges were as smooth as the stones on the beach
beneath the bluffs, where the waves thundered
with the force inside the seed?
Do you remember how, after, he brought you a glass of water
and held it to your lips so you didn’t have to get up to drink?
Do you remember how you saw god in your own face
when you looked in his eyes, your reflection so open the world fell away?
Do you remember the joy of sinking into the ground
in full knowledge it would someday be your grave?
Do you remember what it feels like to hear only the waves?
Do you remember knowing that even when the time came for you
to drop your leaves, deep inside your heart you’d still have
the root of this memory,
stored away for the day ocean cried out,
so tired of breaking.