Poetry column: From the safe harbor of academia to the storm-tossed self
01:00 AM EST on Sunday, November 6, 2005 by Tom Chandler
The twisty road to the writing life has no guardrails. There are plenty of off-ramps but very little signage.
Jen Lighty has wanted to be a writer for as long as she can remember. She grew up in Connecticut, writing poems all through her childhood. After high school she still had the itch, but decided to pursue an academic career because it seemed safe.
So she went to George Washington University, where she earned a degree in English, and gave up writing poems because she had by now convinced herself she wanted to be an 18th-century scholar. Like most English majors, though, she realized she would need time and experience to find her true calling, and so traveled for a few years after college, living in Hawaii, New Orleans, Colorado and California.
Jen worked her way back toward poetry by enrolling in the Breadloaf School in Vermont, where she received a master's degree. She went on from there to Warren Wilson College's MFA program in poetry writing, but still felt unable to commit to a future of poverty and obscurity, which seemed to her the fate of contemporary poets who try to make a living outside of academia. She says now it was probably that she was more afraid of uncovering who she really was, that "poetry was the path to my soul, but I was afraid to walk down it."
She finally ended up spending a winter on Block Island, a place that had left an indelible impression on her since she had spent her first summer there at age 5. Jen has now been a full-time resident for nine years, and has at last come to see that Block Island has truly been her greatest teacher.
Since settling in, her poems and stories have appeared in such journals as The North American Review, Seneca Review and Birmingham Poetry Review. Her first collection of poems, Siren, was published in 2002.
Of her poem "Animal Speak," Jen had this to say:
"The events in the poem actually happened, and I wrote it at the beginning of what some would call a 'breakdown,' but which I (now that I am on the other side) call a 'breakthrough.'
"I came face-to-face with those deer in the poem, and lay in the sand beneath the fallen watchtower on the southwest corner of the island. This was the beginning of my spiritual emergence (not emergency). On that day, I surrendered to the island and feel that I have been a voice for this piece of land ever since."
"Animal Speak" was first published in Poet Lore.
Animal Speak
This could be the last full moon before the end of the world,
said the two deer who crossed my path last night.
When I came upon the buck and doe in the goldenrod haze of day,
they froze in my gaze.
Fear exploded like the cock pheasant rattling across the sky as I write.
If I had a gun, they'd be hanging from a tree
so their blood wouldn't stain their meat.
They had weeping willow legs,
their withers trembled like an earthquake.
In the not so distant, the hounds bayed.
With a bow and arrow I could have
pinned their hearts to the ground,
but a spring rose up through the clay at my feet.
An arrow flew from their eyes and sank into
the black hole in the center of mine.
I saw I had always been blind, and I knew
why I'd always been thirsty.
I pressed my stone heart to the ground and took a drink.
The clay was cool, cracked and worn away by wind and feet.
It knew better than anyone how to receive.
I gave the earth my shame.
All the arrows I had flung without thinking whom they would meet.
I asked the earth to punish me, but she said come this way.
The doe walked into the west, the buck followed.
Some of my teachers have led me astray,
but they were all leading me to these tracks on the beach,
the hoofprints that I followed,
knowing my life had finally found me.
All I had to do now was keep walking,
but the sand stung my face like a swarm of bees.
For hours I fell through the glass,
wading up to my knees, to my waist, to my ribs and lungs,
I knew my heart would break.
I finally lay down and asked the sand to bury me,
but I choked on the words, spitting out grains
because I still wanted to breathe.
I was blind now.
The wind pulled me to a fallen watchtower
where my ancestors had waited to be destroyed.
I heard the planes close in and submarines rise.
And when my ears were clogged with sand, I cried.
Even the wind had abandoned me.
I had thought my ancestors would greet me,
but there was nothing in that empty space.
Finality may be as unrecognizable as the sperm and egg
that set you upon this path in the first place.
Heaven is the first house you come upon,
after six hours of walking the edge of an island
scoured by waves.
You are shocked that heaven is lit by electric lights,
but you enter their orbit because by now
you'll accept any embrace.
So this is why they stand frozen -- the ache.
-- JEN LIGHTY
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2 comments:
You are an Artist! You ARE Art! Art is YOU. YOU are LOVE! LOVE is YOU. LOVE LOVE LOVE
Know that oyu are loved! -Kris
I meant, Know that YOU are loved, sorry about the sp.
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